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For the first time I participated in a swap. This was the Handmade Button Swap organized by PhatSheep. We had to handmake a coherent set of 6 buttons and an item of our choice that's using a handmade button. And this all before the 14th of February. I found it very exciting !
I decided to make some buttons by casting ceramic powder (into chocolate forms), drilling holes into them and painting them with turquoise and silver mother of pearl glass colour. It was great fun !
The item I made was a brooch made of one large vintage grey button in the middle with lots of small vintage grey buttons sewn around it. Everything is topped of with one of the ceramic buttons I made for this swap, turning it into a blue-silvery flower.
This was the extra item I made, using a much larger specimen of the handmade buttons I made for the swap. It's a necklace made of a sheer grey-silvery fabric tube, filled with silver painted wooden beads and knotted together with the large ceramic shank heart button in the middle.
And this is what I received today from noisette handmade. She made me a set of 6 beautiful linen buttons painted with 6 different motives: ladybird, bird, leaf, heart, apple & mushroom. They are so sweet ! Her item was a linen pouch with a blue & white striped bottom and a large linen button sewed on it; it's so cute ! And I got an extra blue felt flower brooch from her too. Moreover, she gave me some lovely piece of fabric, some pieces of trims, some red buttons and chocolate (!).
Thank you so much noisette to make this first swap an unforgettable one ! You can see all the entries coming in here.
Haida button blanket decorated with a human figure (ca. 1900); wool, dentalium shells, abalone shell, pearl buttons (from Canadian Museum of Civilization Corporation)A few years ago I found one of the most spectacular button art creations I had ever seen by surfing on the internet. I am talking about the North American Button Blankets. I fell immediately in love with this kind of button art !
Haida button blanket with a double-headed Eagle (ca. 1900); wool, dentalium shells, abalone shell, pearl buttons (Photo from Canadian Museum of Civilization Corporation)From around 1800, Pacific Northwest Coast Indian tribes (like the Haida, Tsimshian, Tlingit, Nisga'a and others) often traded furs for woolen blankets from maritime european traders and later the Hudson's Bay company. Rather than sleeping equipment, the blankets were made into robes for ceremonial purposes; they were worn over the shoulders like capes.
First Nations people in button blankets at Quatsino Sound (Ben W. Leeson, 19--) from Vancouver Historical Society
Why were they decorated with buttons ? One legend tells that a member of the Kwagiutl tribe saw once a Pearly King and liked what he saw. Another legend tells it was inspired by the white pearl buttons on the uniform of a British sailor. Truth is that early pictures show that the blankets were first decorated with feathers and abalone shells. These were eventually replaced by mother of pearl buttons, obtained from traders and sailors' uniforms, and were much easier to use. Most blankets are made of dark blue duffle with red flannel appliqué outlined with pearl buttons. The central crest typically portrayed a symbol of the wearer's family heritage. Symbols found are the frog, raven, whale, thunderbird etc.
Tlingit button blanket with killer whale (1891-1898); wool, pearl buttons (from The Burke Museum of National History and Culture)Traditionally, these robes were worn during dance ceremonies. The dancer would move displaying the shiny patterns of the shell buttons to the audience. The community would know the dancer's family clan and its historial status just by the design on the robe. The robes were handed down from generation to generation. After 1880 the Indians were discouraged by the governments to hold their traditional ceremonies and not many button blankets were made anymore. Around 1950 a revival of the button blanket occurred. New button blankets are made, and classes in button work are offered. The button blanket has now become the most popular piece of contemporary feast attire. Today, buttons are sometimes used to fill entire zones of the design elements and even the whole field of the background.
Tlingit button blanket with frog (1920s); wool, pearl buttons (from The Burke Museum of National History and Culture)A modern re-invention of
the button blanket concept by
Coho Creations: 
Based on:
Wikipedia
Clarissa Hudson Studio
The Button Lover's Book (Creative Machine Arts Series) by Marilyn V. Green
Make a Button Blanket
New button blanket (from Shawl Lady dot Com)
I managed to buy 2 skull caps from Uzbekistan for my traditional hat collection. I have always been in love with those colourfull exotic skull caps from Central Asia. They are called tubeteikas (tubete means top or peak in Tatar) and are worn by men, women and children. Tubeteikas are different between regions and vary in shape (round or squared), ornament, colour, embroidery, fabrics, decoration etc. They are made of two or more layers of fabric quilted and fixed by silk or cotton threads. Most often, black satin or velvet are chosen for men's caps, and silk, velvet, and brocade for women's caps. They can be embroidered in silk, decorated with beadwork, gold and silver threads, beads and metal pieces, and the decoration is full of symbols. 
The first cap is for a man from Chust, and is the most common one. It is black with four white patterns in the shape of a chili pepper flower capsicum (called "qalampur"); these flowers are supposed to protect a man's health from four sides, while the sixteen small patterned arches, located along the edge of the cap, mean a wish to have a big and friendly family with sixteen children.
The second cap is for a woman from Surkhandarya and has a very colourful embroidery in creed stitch (called "iroki"). Young Uzbek women often complete their modern clothing with a bright elegant scull-cap.
You can see some beautiful examples of Tubeteikas and read more about them here:
Tubeteika suits everybody
Hat Collection from Central Asia
Duppi-A Teapot cover? No, it is national headdress!
